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<lom:langstring xml:lang="it">Carta e Acciaio: Rilegatura a spirale ed editoria modernista n. 6</lom:langstring>

  
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<lom:langstring xml:lang="it">7. Roulements et butées, catalogo generale della Compagnia D’Applications Mécaniques, sezione “Roulements a rotulle sur deux rangée de billes”, stampa Imprimerie Draeger (France), 1936.
Legatura spirale in materiale plastico, brevetto “Reliure plastic”, S.G.D.G. (France).
[Collezione privata]

8. Alfred H. Barr Jr., Foreword, in Machine art, catalogo della mostra, Museum of Modern Art, New York, 6.3-30.4.1934, Museum of Modern Art, 1934, copertina Josef Albers (ristampa Abrams-MoMA, 1994).
[Collezione privata]

“In addition to perfection of shape and rhythm, beauty of surface is an important aesthetic quality of machine art at its best. Perfection of surface is, of course, made possible by the refinement of modern materials and the precision of machine manufacture. A watch spring is beautiful not only for its spiral shape but also for its bright steel surface and its delicately exact execution”.

9. Riproduzione dei quaderni di schizzi (1931-33) di Le Corbusier, “Espagne” Carnets, stampa Mondadori Printing, Martellago (Ve), Electa-Fondazione Le Corbusier, Milano-Paris 2001.
Legatura spirale in filo metallico brevetto “La Reliure spirale”, Société La Reliure Spirale (Paris-France).
[Biblioteca Iuav]

In Francia nei primi anni Trenta alle legature in metallo si affiancano quelle realizzate con polimero termoindurente (SGDG, è l’abbreviazione di Breveté sans garantie du gouvernement).
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